My work moves across painting, drawing, installation, and organic form, exploring how familiar forms shift through observation, time, and transformation.

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At the center of my practice is the ongoing Integration series, which begins with constructed environments of living flowers, painted surfaces, and sculptural elements. Through observation and interpretation, these environments evolve into paintings and drawings that examine changing relationships between bloom and decay, control and entropy, resistance and surrender.

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Alongside Integration, Fragmented Familiar explores what happens when recognizable forms are fragmented, reorganized, and transformed into new structures.

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Across these bodies of work, I am interested in forms that resist remaining fixed—how they accumulate, dissolve, reorganize, and become something else.