Editorial Portfolio
My editorial works explore the fragile intersections of psychology, biology, and culture. From memory blooming into gardens, to silenced voices, corrupted DNA, and time stretching across geological ages, each piece reflects the hidden systems shaping human life.
These narratives expand into Pop-inflected satire with duct-taped bananas and their ghostly remains, then shift toward the intimacy of facial expressions and the rooted language of botanicals. Together, they form a hybrid voice—conceptual yet human, playful yet serious—inviting pause, reflection, and new ways of seeing.
Every work in this editorial portfolio begins by hand—drawn with pencil, charcoal, or ink—before being digitally edited and redrawn. This hybrid process allows me to move fluidly between the tactile and the technological, layering physical mark-making with digital shifts.
Across psychology, biology, culture, and satire, the works reflect my ongoing interest in how perception is shaped, silenced, or distorted. At their core, they invite pause—a reminder that even in an era of constant noise, a face, a fragment, or a single line can still hold conversation.
